He felt that he could not endure another night of the torture he had passed through four times before. That he should go mad he was positive, and he commenced to tremble and whimper even while daylight yet remained. For a time he tried turning his back to the forest, and then he sat huddled up gazing out upon the ocean; but the tears which rolled down his cheeks so blurred his eyes that he saw nothing. Finally he could endure it no longer, and with a sudden gasp of horror he wheeled toward the wood. There was nothing visible, yet he broke down and sobbed like a child, for loneliness and terror. When he was able to control his tears for a[Pg 5] moment he took the opportunity to scan the deepening shadows once more. [Pg 5] The first glance brought a piercing shriek from his white lips. The thing was there! The young man did not fall groveling to the sand this time—instead, he stood staring with protruding eyes at the vague form, while shriek after shriek broke from his grinning lips. Reason was tottering. The thing, whatever it was, halted at the first blood-curdling cry, and then when the cries continued it slunk back toward the wood. With what remained of his ebbing mentality Waldo Emerson realized that it were better to die at once than face the awful fears of the black night. He would rush to meet his fate, and thus end this awful agony of suspense. With the thought came action, so that, still shrieking, he rushed headlong toward the thing at the wood's rim. As he ran it turned and fled into the forest, and after it went Waldo Emerson, his long, skinny legs carrying his emaciated body in great leaps and bounds through the tearing underbrush. He emitted shriek after shriek—ear-piercing shrieks that ended in long drawn out wails, more wolfish than human. And the thing that fled[Pg 6] through the night before him was shrieking, too, now. [Pg 6] Time and again the young man stumbled and fell. Thorns and brambles tore his clothing and his soft flesh. Blood smeared him from head to feet. Yet on and on he rushed through the semidarkness of the now moonlit forest.