Little comrade: a tale of the great war
from the din of high-pitched bargaining it was [Pg 44]evident that the crafty market-people had already begun to advance their prices.

[Pg 44]

Stewart paused for a while to contemplate this scene, far more violent and war-like than any he had yet witnessed; then, edging around the crowd, he arrived at the cathedral, the most irregular and eccentric that he had ever seen—a towering Gothic choir attached to an octagonal Byzantine nave. But that nave is very impressive, as Stewart found when he stepped inside it; and then, on a block of stone in its pavement, he saw the words, “Carlo Magno,” and knew that he was at the tomb of the great Emperor.

It is perhaps not really the tomb, but for emotional purposes it answers very well, and there can be no question about the marble throne and other relics which Stewart presently inspected, under the guidance of a black-clad verger. Then, as there was a service in progress in the choir, he sat down, at the verger’s suggestion, to wait till it was over.

In a small chapel at his right, a group of candles glowed before an altar dedicated to the Virgin, and here, on the low benches, many women knelt in prayer. More and more slipped in quietly—young women, old women, some shabby, some well-clad—until[Pg 45] the benches were full; and after that the newcomers knelt on the stone pavement and besought the Mother of Christ to guard their sons and husbands and sweethearts, summoned to fight the battles of the Emperor. Looking at them—at their bowed heads, their drawn faces, their shrinking figures—Stewart realized for the first time how terrible is the burden which war lays on women. To bear sons, to rear them—only to see them march away when the dreadful summons came; to bid good-by to husband or to lover, crushing back the tears, masking the stricken heart; and then to wait, day after dreary day, in agony at every rumor, at every knock, at every passing footstep, with no refuge save in prayer——

[Pg 45]

But such thoughts were too painful. To distract them, he got out his Baedeker and turned its pages absently until he came to Aachen. First the railway stations—there were four, it seemed; then the hotels—the Grand Monarque, the Nuellens, the Hôtel de l’Empereur, the du Nord—strange that so many of them should be French, in name at least!—the Monopol, the Imperial Crown—but where was the Kölner Hof? He ran through the list again more carefully—no, it was not there. And yet that police-officer at Cologne had asserted not only that it was [Pg 
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