said that still that place was brought before her, Our hedges are broken down!” (“Analecta,” ii. 173.) Surely even Dr. McCrie must have laughed out loud, like Lady Louisa Stuart, when Mause exclaims: “Neither will I peace for the bidding of no earthly potsherd, though it be painted as red as a brick from the tower o’ Babel, and ca’ itsel’ a corporal.”        Manse, as we have said, is not more comic than heroic, a mother in that Sparta of the Covenant. The figure of Morton, as usual, is not very attractive. In his review, Scott explains the weakness of his heroes as usually strangers in the land (Waverley, Lovel, Mannering, Osbaldistone), who need to have everything explained to them, and who are less required to move than to be the pivots of the general movement. But Morton is no stranger in the land. His political position in the juste milieu is unexciting. A schoolboy wrote to Scott at this time, “Oh, Sir Walter, how could you take the lady from the gallant Cavalier, and give her to the crop-eared Covenanter?” Probably Scott sympathised with his young critic, who longed “to be a feudal chief, and to see his retainers happy around him.” But Edith Bellenden loved Morton, with that love which, as she said, and thought, “disturbs the repose of the dead.” Scott had no choice.       Besides, Dr. McCrie might have disapproved of so fortunate an arrangement. The heroine herself does not live in the memory like Di Vernon; she does not even live like Jenny Dennison. We remember Corporal Raddlebanes better, the stoutest fighting man of Major Bellenden’s acquaintance; and the lady of Tillietudlem has admirers more numerous and more constant. The lovers of the tale chiefly engage our interest by the rare constancy of their affections.     

       The most disputed character is, of course, that of Claverhouse. There is no doubt that, if Claverhouse had been a man of the ordinary mould, he       would never have reckoned so many enthusiastic friends in future ages. But Beauty, which makes Helen immortal, had put its seal on Bonny Dundee. With that face “which limners might have loved to paint, and ladies to look upon,” he still conquers hearts from his dark corner above the private staircase in Sir Walter’s deserted study. He was brave, he was loyal when all the world forsook his master; in that reckless age of revelry he looks on with the austere and noble contempt which he wears in Hell among the tippling shades of Cavaliers. He died in the arms of victory, but he lives among     

  

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