Horace Walpole was the youngest son of Sir Robert Walpole, the great statesman. He was educated at Eton and formed a friendship with Thomas Gray. Horace Walpole lived a life of ease and amusement, but he was not an empty idler and had a sharp wit. He became Earl of Orford in his later years. He enjoyed adorning his house at Strawberry Hill and had a passion for literature, printing his friend Gray's poems and other works. His most famous work, "The Castle of Otranto," was written in 1765 and marked a shift towards romance in literature. The preface to the first edition describes the origins and context of the story, set in a distant age of superstition and Gothic mystery.If this air of the miraculous is excused, the reader will find nothing else unworthy of his perusal. Allow the possibility of the facts, and all the actors comport themselves as persons would do in their situation. There is no bombast, no similes, flowers, digressions, or unnecessary descriptions. Everything tends directly to the catastrophe. Never is the reader’s attention relaxed. The rules of the drama are almost observed throughout the conduct of the piece. The characters are well drawn, and still better maintained. Terror, the author’s principal engine, prevents the story from ever languishing; and it is so often contrasted by pity, that the mind is kept up in a constant vicissitude of interesting passions. Some persons may perhaps think the characters of the domestics too little serious for the general cast of the story; but besides their opposition to the principal personages, the art of the author is very observable in his conduct of the subalterns. They discover many passages essential to the story, which could not be well brought to light but by their naïveté and simplicity. In particular, the womanish terror and foibles of Bianca, in the last chapter, conduce essentially towards advancing the catastrophe. It is natural for a translator to be prejudiced in favour of his adopted work. More impartial readers may not be so much struck with the beauties of this piece as I was. Yet I am not blind to my author’s defects. I could wish he had grounded his plan on a more useful moral than this: that “the sins of fathers are visited on their children to the third and fourth generation.” I doubt whether, in his time, any more than at present, ambition curbed its appetite of dominion from the dread of so remote a punishment. And yet this moral is weakened by that less direct insinuation, that even such anathema may be diverted by devotion to St. Nicholas. Here the interest of the Monk plainly gets the better of the judgment of the author. However, with all its faults, I have no doubt