The Castle of Otranto
so—proceed. Jerome blushed, and continued. For three months Lord Alfonso was wind-bound in Sicily. There he became enamoured of a fair virgin named Victoria. He was too pious to tempt her to forbidden pleasures. They were married. Yet deeming this amour incongruous with the holy vow of arms by which he was bound, he determined to conceal their nuptials until his return from the Crusade, when he purposed to seek and acknowledge her for his lawful wife. He left her pregnant. During his absence she was delivered of a daughter. But scarce had she felt a mother's pangs ere she heard the fatal rumour of her Lord's death, and the succession of Ricardo. What could a friendless, helpless woman do? Would her testimony avail?—yet, my lord, I have an authentic writing— It needs not, said Manfred; the horrors of these days, the vision we have but now seen, all corroborate thy evidence beyond a thousand parchments. Matilda's death and my expulsion— Be composed, my Lord, said Hippolita; this holy man did not mean to recall your griefs. Jerome proceeded. I shall not dwell on what is needless. The daughter of which Victoria was delivered, was at her maturity bestowed in marriage on me. Victoria died; and the secret remained locked in my breast. Theodore's narrative has told the rest. The Friar ceased. The disconsolate company retired to the remaining part of the castle. In the morning Manfred signed his abdication of the principality, with the approbation of Hippolita, and each took on them the habit of religion in the neighbouring convents. Frederic offered his daughter to the new Prince, which Hippolita's tenderness for Isabella concurred to promote. But Theodore's grief was too fresh to admit the thought of another love; and it was not until after frequent discourses with Isabella of his dear Matilda, that he was persuaded he could know no happiness but in the society of one with whom he could for ever indulge the melancholy that had taken possession of his soul.The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing, or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

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