The lonely house
after Lily had sat down, the old woman stood and watched her eat. Had not the girl been so very hungry she would have felt a little shy and awkward under that silent, tense scrutiny.

Cristina suddenly observed: “I suppose Mademoiselle is a Protestant?”

Lily looked up. “Yes, of course I am.”

A sad look came over Cristina’s face. “Mademoiselle looks so good, so pure,” she murmured. “I thought perhaps that Mademoiselle was thinking of being a nun.”

“Oh, no, indeed I’m not!” Lily laughed outright, for the first time in this strange house.

“I myself,” said Cristina slowly, “at one time hoped to be a nun.” And then, clasping her hands, and with an emotion which transformed her quietude into something which greatly startled Lily, so violent and unexpected was it, her pale face became convulsed. “The devil prevented 29my becoming a nun. But for the devil I should now be a good and perhaps even a holy woman!”

29

Her breast heaved—she seemed extraordinarily moved and distressed.

Lily jumped up—not perhaps quite so surprised as she would have been but for some of her experiences with the more emotional Belgians. “I’m quite sure that you are a very good woman,” she said kindly.

But Cristina shook her head with an air of ineffable sadness and distress.

The kitchen door opened suddenly and Lily was astounded to see the change that came over the old waiting woman. She became coldly rigid; her look of agitation disappeared as if by magic.

She turned round: “Madame la Comtesse?” she said inquiringly, almost forbiddingly.

“Only to say, Cristina, that I’m going down the hill a little way to try and meet Monsieur le Comte. He will be loaded, as you know, with all manner of good things.” The speaker smiled, showing a row of strong, white teeth. “Will you show Mademoiselle her room?” She turned to Lily. “And you, dear child? Have you had a nice fresh egg?”

Without waiting for an answer she turned and left the little dark kitchen.

Cristina waited, listening, and then, when she heard the front door, at the end of the corridor, close to: “Are you really her relation?” she asked slowly. “You are not at all like her.”


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