Twilight sleep
typical cliché drawing-room. Every one of the couples who were married the year we were has one like it. The first time Tommy Ardwin saw it—you know he's the new decorator—he said: 'Gracious, how familiar all this seems!' and began to whistle 'Home, Sweet Home'!" 

 "But of course he would, you simpleton! When what he wants is to be asked to do it over!" 

 Lita heaved a sigh. "If he only could! Perhaps he might reconcile me to this house. But I don't believe anybody could do that." She glanced about her with an air of ineffable disgust. "I'd like to throw everything in it into the street. I've been so bored here." 

 Nona laughed. "You'd be bored anywhere. I wish another Tommy Ardwin would come along and tell you what an old cliché being bored is." 

 "An old cliché? Why shouldn't it be? When life itself is such a bore? You can't redecorate life!" 

 "If you could, what would you begin by throwing into the street? The baby?" 

 Lita's eyes woke to fire. "Don't be an idiot! You know I adore my baby." 

 "Well—then Jim?" 

 "You know I adore my Jim!" echoed the young wife, mimicking her own emotion. 

 "Hullo—that sounds ominous!" Jim Wyant came in, clearing the air with his fresh good-humoured presence. "I fear my bride when she says she adores me," he said, taking Nona into a brotherly embrace. 

 As he stood there, sturdy and tawny, a trifle undersized, with his bright blue eyes and short blunt-nosed face, in which everything was so handsomely modelled and yet so safe and sober, Nona fell again to her dangerous wondering. Something had gone out of his face—all the wild uncertain things, the violin, model-making, inventing, dreaming, vacillating—everything she had best loved except the twinkle in his sobered eyes. Whatever else was left now was all plain utility. Well, better so, no doubt—when one looked at Lita! Her glance caught her sister-in-law's face in a mirror between two panels, and the reflection of her own beside it; she winced a little at the contrast. At her best she had none of that milky translucence, or of the long lines which made Lita seem in perpetual motion, as a tremor of air lives in certain trees. Though Nona was as tall and nearly as slim, she seemed to herself to be built, while Lita was spun of spray and 
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