there—idling in the big untenanted library of Cedarledge, the place in the country, or in his untidy study on the third floor of the town house, and ready to answer questions, help her to look up hard words in dictionaries, mend her golf-sticks, or get a thorn out of her Sealyham's paw. Jim was wonderful with his hands: he could repair clocks, start up mechanical toys, make fascinating models of houses or gardens, apply a tourniquet, scramble eggs, mimic his mother's visitors—preferably the "earnest" ones who held forth about "causes" or "messages" in her gilded drawing-rooms—and make delicious coloured maps of imaginary continents, concerning which Nona wrote interminable stories. And of all these gifts he had, alas, made no particular use as yet—except to enchant his little half-sister. 

 It had been just the same, Nona knew, with his father: poor useless "Exhibit A"! Mrs. Manford said it was their "old New York blood"—she spoke of them with mingled contempt and pride, as if they were the last of the Capetians, exhausted by a thousand years of sovereignty. Her own red corpuscles were tinged with a more plebeian dye. Her progenitors had mined in Pennsylvania and made bicycles at Exploit, and now gave their name to one of the most popular automobiles in the United States. Not that other ingredients were lacking in her hereditary make-up: her mother was said to have contributed southern gentility by being a Pascal of Tallahassee. Mrs. Manford, in certain moods, spoke of "The Pascals of Tallahassee" as if they accounted for all that was noblest in her; but when she was exhorting Jim to action it was her father's blood that she invoked. "After all, in spite of the Pascal tradition, there is no shame in being in trade. My father's father came over from Scotland with two sixpences in his pocket ..." and Mrs. Manford would glance with pardonable pride at the glorious Gainsborough over the dining-room mantelpiece (which she sometimes almost mistook for an ancestral portrait), and at her healthy handsome family sitting about the dinner-table laden with Georgian silver and orchids from her own hot-houses. 

 From the threshold, Nona called back to Miss Bruss: "Please tell mother I shall probably be lunching with Jim and Lita—" but Miss Bruss was passionately saying to an unseen interlocutor: "Oh, but Mr. Rigley, but you must make Mr. Manford understand that Mrs. Manford counts on him for dinner this evening... The dinner-dance for the Marchesa, you know..." 

 The marriage of her half-brother had been Nona Manford's first real sorrow. Not that she had disapproved of his choice: how could any one take that funny 

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