feel called upon publicly to affront the king by removing his name and praises, either at the beginning or the end, from the copies generally issued during his reign. Whether or not this conduct justifies the charge of time-serving timidity, which has been made against Gower, I cannot undertake to decide. He was, however, in fact rather of an opposite character, even pedantically stiff in passing judgement severely on those in high places, and not bating a syllable of what he thought proper for himself to say or for a king to hear, though while the king was young and might yet shake himself free from evil influences he was willing to take as favourable a view of his character as possible. Probably he was for some time rather in two minds about the matter, but in any case ‘timid and obsequious’ are hardly the right epithets for the author of the Vox Clamantis.

Before leaving this subject something should perhaps be said upon a matter which has attracted no little attention, namely the supposed quarrel between the author of the Confessio Amantis and Chaucer. It is well known that the first recension of our poem has a passage referring to Chaucer in terms of eulogy (viii. 2941*-57*), and that this was omitted when the epilogue was rewritten. This fact has been brought into connexion with the apparent reference to Gower in the Canterbury Tales, where the Man of Law in the preamble to his tale disclaims on Chaucer’s behalf such ‘cursed stories’ as those of Canace and Apollonius, because they treat of incest. It has been thought that this was meant for a serious attack on Gower, and that he took offence at it and erased the praise of Chaucer from the Confessio Amantis.

It is known of course that the two poets were on personally friendly terms, not only from the dedication of Troilus, but from the fact that when Chaucer was sent on a mission to the Continent in 1378, he appointed Gower one of his attorneys in his absence. It is possible that their friendship was interrupted by a misunderstanding, but it may be doubted whether there is sufficient proof of this in the facts which have been brought forward.

[Pg xxvii]

[Pg xxvii]

In the first place I question whether Chaucer’s censure is to be taken very seriously. That it refers to Gower I have little doubt, but that the attack was a humorous one is almost equally clear. Chaucer was aware that some of his own tales were open to objection on the score of morality, and when he saw a chance of scoring a point on the very ground where his friend thought himself 

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