follower in detail of his authorities; the proportions and arrangement of the stories are usually his own and often show good judgement. Moreover he not seldom gives a fresh turn to a well-known story, as in the instances of Jephthah and Saul, or makes a pretty addition to it, as is the case in some of the tales from Ovid. Almost the only story in which the interest really flags is the longest, the tale of Apollonius of Tyre, which fills up so much of the eighth book and was taken as the basis of the plot of Pericles; and this was in its original form so loose and rambling a series of incidents, that hardly any skill could have completely redeemed it. There is no doubt that this gift of clear and interesting narrative was the merit which most appealed to the popular taste, the wholesome appetite for stories being at that time not too well catered for, and that the plainness of the style was an advantage rather than a drawback.

Tastes will differ of course as to the merits of the particular stories, but some may be selected as incontestably good. The tale of Mundus and Paulina in the first book is excellently told, and so is that of Alboin and Rosemund. The best of the second book are perhaps the False Bachelor and the legend of Constantine and Silvester, in the latter of which the author has greatly improved upon his materials. In the third book the tale of Canace is most pathetically rendered, far better than in Ovid, so that in[Pg xiii] spite of Chaucer’s denunciation his devoted follower Lydgate could not resist the temptation of borrowing it. The fourth book, which altogether is of special excellence, gives us Rosiphelee, Phyllis, and the very poetically told tale of Ceix and Alceone. The fifth has Jason and Medea, a most admirable example of sustained narrative, simple and yet effective and poetical, perhaps on the whole Gower’s best performance: also the oriental tale of Adrian and Bardus, and the well told story of Tereus and Philomela. In the seventh we shall find the Biblical story of Gideon excellently rendered, the Rape of Lucrece, and the tale of Virginia. These may be taken as specimens of Gower’s narrative power at its best, and by the degree of effectiveness which he attains in them and the manner in which he has used his materials, he may fairly be judged as a story-teller.

[Pg xiii]

As regards style and poetical qualities we find much that is good in the narratives. Force and picturesqueness certainly cannot be denied to the tale of Medea, with its description of the summer sea glistening in the sun, which blazes down upon the returning hero, and from the golden fleece by his side flashes 

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