"In what way not on her level?"

"Why, in that way, for instance," his uncle had answered, pointing to Akim's beard, which he had begun to clip in order to please his betrothed, though he had refused to shave it completely.... Akim looked down; while the old man turned away, wrapped his tattered sheepskin about him and walked away, shaking his head.

Yes, more than once Akim sank into thought, cleared his throat and sighed.... But his love for his pretty wife was no less; he was proud of her, especially when he compared her not merely with peasant women, or with his first wife, to whom he had been married at sixteen, but with other serf girls; "look what a fine bird we have caught," he thought to himself.... Her slightest caress gave him immense pleasure. "Maybe," he thought, "she will get used to it; maybe she will get into the way of it." Meanwhile her behaviour was irreproachable and no one could say anything against her.

Several years passed like this. Dunyasha really did end by growing used to her way of life. Akim's love for her and confidence in her only increased as he grew older; her girl friends, who had been married not to peasants, were suffering cruel hardships, either from poverty or from having fallen into bad hands.... Akim went on getting richer and richer. Everything succeeded with him--he was always lucky; only one thing was a grief: God had not given him children. Dunyasha was by now over five and twenty; everyone addressed her as Avdotya Arefyevna. She never became a real housewife, however--but she grew fond of her house, looked after the stores and superintended the woman who worked in the house. It is true that she did all this only after a fashion; she did not keep up a high standard of cleanliness and order; on the other hand, her portrait painted in oils and ordered by herself from a local artist, the son of the parish deacon, hung on the wall of the chief room beside that of Akim. She was depicted in a white dress with a yellow shawl with six strings of big pearls round her neck, long earrings, and a ring on every finger. The portrait was recognisable though the artist had painted her excessively stout and rosy--and had made her eyes not grey but black and even slightly squinting.... Akim's was a complete failure, the portrait had come out dark--à la Rembrandt--so that sometimes a visitor would go up to it, look at it and merely give an inarticulate murmur. Avdotya had taken to being rather careless in her dress; she would fling a big shawl over her shoulders, while the dress under it was put on anyhow: she was overcome by laziness, that sighing apathetic drowsy laziness to 

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