him. By my soul, you shall taste it. Charlotte, my dear, bid Oliphant fetch glasses and hot water and lemons. I will give Mr. Hervey-Townshend a sample of the brew. You English are all tetes-de-fer, sir, and are worthy of it." 

 The old man's face had lighted up, and for the moment his air had the jollity of youth. I would have accepted the entertainment had I not again caught Madame's eye. It said, unmistakably and with serious pleading, "Decline."  I therefore made my excuses, urged fatigue, drowsiness, and a delicate stomach, bade my host good-night, and in deep mystification left the room. 

 Enlightenment came upon me as the door closed. There in the threshold stood the manservant whom they called Oliphant, erect as a sentry on guard. The sight reminded me of what I had once seen at Basle when by chance a Rhenish Grand Duke had shared the inn with me. Of a sudden a dozen clues linked together—the crowned notepaper, Scotland, my aunt Hervey's politics, the tale of old wanderings. 

 "Tell me,"  I said in a whisper, "who is the Count d'Albani, your master?" and I whistled softly a bar of "Charlie is my darling." 

 "Ay," said the man, without relaxing a muscle of his grim face.  "It is the King of England—my king and yours." 

 

 II 

 In the small hours of the next morning I was awoke by a most unearthly sound. It was as if all the cats on all the roofs of Santa Chiara were sharpening their claws and wailing their battle-cries. Presently out of the noise came a kind of music—very slow, solemn, and melancholy. The notes ran up in great flights of ecstasy, and sunk anon to the tragic deeps. In spite of my sleepiness I was held spellbound and the musician had concluded with certain barbaric grunts before I had the curiosity to rise. It came from somewhere in the gallery of the inn, and as I stuck my head out of my door I had a glimpse of Oliphant, nightcap on head and a great bagpipe below his arm, stalking down the corridor. 

 The incident, for all the gravity of the music, seemed to give a touch of farce to my interview of the past evening. I had gone to bed with my mind full of sad stories of the deaths of kings. Magnificence in tatters has always affected my pity more deeply than tatters with no such antecedent, and a monarch out at elbows stood for me as the last irony of our mortal life. Here was a king whose misfortunes could find no parallel. He had been 

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