Cecilia; Or, Memoirs of an Heiress — Volume 3
paused; she knew not what to desire, yet rather wished any thing to be done, than quietly to sit down to uninterrupted reflection.     

       “Shall I postpone quitting this place,” continued Mrs Delvile, “till to-morrow morning, and will you admit me this afternoon, should I call upon you again?”      

       “I should be sorry,” said she, still hesitating, “to detain you,”—     

       “You will rejoice me,” cried Mrs Delvile, “by bearing me in your sight.”      

       And she then went into her carriage.     

       Cecilia, unfitted to attend her old friend, and unequal to the task of explaining to her the cruel scene in which she had just been engaged, then hastened to her own apartment. Her hitherto stifled emotions broke forth in tears and repinings: her fate was finally determined, and its determination was not more unhappy than humiliating; she was openly rejected by the family whose alliance she was known to wish; she was compelled to refuse the man of her choice, though satisfied his affections were her own. A misery so peculiar she found hard to support, and almost bursting with conflicting passions, her heart alternately swelled from offended pride, and sunk from disappointed tenderness.     

  

  

       CHAPTER iv. — A PERTURBATION.     

       Cecelia was still in this tempestuous state, when a message was brought her that a gentleman was below stairs, who begged to have the honour of seeing her. She concluded he was Delvile, and the thought of meeting him merely to communicate what must so bitterly afflict him, redoubled her distress, and she went down in an agony of perturbation and sorrow.     

       He met her at the door, where, before he could speak, “Mr Delvile,” she cried, in a hurrying manner, “why will you come? Why will you thus insist upon seeing me, in defiance of every obstacle, and in contempt of my prohibition?”      

       “Good heavens,” cried he, amazed, “whence this reproach? Did you not permit me to wait upon you with the result of my enquiries? Had I not your consent—but why do you look thus disturbed?—Your eyes are red,—you have been weeping.—Oh my 
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