description in those days. Her ears were like two little pearl shells, which the earrings she wore (though the handsomest properties in the theatre) only insulted. She was dressed in long flowing robes of black, which she managed and swept to and fro with wonderful grace, and out of the folds of which you only saw her sandals occasionally; they were of rather a large size; but Pen thought them as ravishing as the slippers of Cinderella. But it was her hand and arm that this magnificent creature most excelled in, and somehow you could never see her but through them. They surrounded her. When she folded them over her bosom in resignation; when she dropped them in mute agony, or raised them in superb command; when in sportive gaiety her hands fluttered and waved before her, like what shall we say?—like the snowy doves before the chariot of Venus—it was with these arms and hands that she beckoned, repelled, entreated, embraced, her admirers—no single one, for she was armed with her own virtue, and with her father’s valour, whose sword would have leapt from its scabbard at any insult offered to his child—but the whole house; which rose to her, as the phrase was, as she curtseyed and bowed, and charmed it. 

 Thus she stood for a minute—complete and beautiful—as Pen stared at her. “I say, Pen, isn’t she a stunner?” asked Mr. Foker. 

 “Hush!” Pen said, “she’s speaking.” 

 She began her business in a deep sweet voice. Those who know the play of the ‘Stranger,’ are aware that the remarks made by the various characters are not valuable in themselves, either for their sound sense, their novelty of observation, or their poetic fancy. In fact, if a man were to say it was a stupid play, he would not be far wrong. Nobody ever talked so. If we meet idiots in life, as will happen, it is a great mercy that they do not use such absurdly fine words. The Stranger’s talk is sham, like the book he reads and the hair he wears, and the bank he sits on, and the diamond ring he makes play with—but, in the midst of the balderdash, there runs that reality of love, children, and forgiveness of wrong, which will be listened to wherever it is preached, and sets all the world sympathising. 

 With what smothered sorrow, with what gushing pathos, Mrs. Haller delivered her part! At first, when as Count Wintersen’s housekeeper, and preparing for his Excellency’s arrival, she has to give orders about the beds and furniture, and the dinner, etc., to be got ready, she did so with the calm agony of despair. But when she could get rid of the stupid servants and give vent to her feelings to the pit and the house, she overflowed to each 

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