Wuthering Heights
master had an odd notion about the chamber she would put me in, and never let anybody lodge there willingly. I asked the reason. She did not know, she answered: she had only lived there a year or two; and they had so many queer goings on, she could not begin to be curious. 

Too stupefied to be curious myself, I fastened my door and glanced round for the bed. The whole furniture consisted of a chair, a clothes-press, and a large oak case, with squares cut out near the top resembling coach windows. Having approached this structure, I looked inside, and perceived it to be a singular sort of old-fashioned couch, very conveniently designed to obviate the necessity for every member of the family having a room to himself. In fact, it formed a little closet, and the ledge of a window, which it enclosed, served as a table. I slid back the panelled sides, got in with my light, pulled them together again, and felt secure against the vigilance of Heathcliff, and every one else. 

The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—_Catherine Earnshaw_, here and there varied to _Catherine Heathcliff_, and then again to _Catherine Linton_. 

In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw—Heathcliff—Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark, as vivid as spectres—the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle-wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calf-skin. 

I snuffed it off, and, very ill at ease under the influence of cold and lingering nausea, sat up and spread open the injured tome on my knee. It was a Testament, in lean type, and smelling dreadfully musty: a fly-leaf bore the inscription—“Catherine Earnshaw, her book,” and a date some quarter of a century back. 

I shut it, and took up another and another, till I had examined all. Catherine’s library was select, and its state of dilapidation proved it to have been well used, though not altogether for a legitimate purpose: scarcely one chapter had escaped a pen-and-ink commentary—at least the appearance of one—covering every morsel of blank that the printer had left. Some were detached sentences; other parts took the form of a regular diary, scrawled 
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