Wieland; Or, The Transformation: An American Tale
       And thou, O most fatal and potent of mankind, in what terms shall I describe thee? What words are adequate to the just delineation of thy character? How shall I detail the means which rendered the secrecy of thy purposes unfathomable? But I will not anticipate. Let me recover if possible, a sober strain. Let me keep down the flood of passion that would render me precipitate or powerless. Let me stifle the agonies that are awakened by thy name. Let me, for a time, regard thee as a being of no terrible attributes. Let me tear myself from contemplation of the evils of which it is but too certain that thou wast the author, and limit my view       to those harmless appearances which attended thy entrance on the stage.     

       One sunny afternoon, I was standing in the door of my house, when I marked a person passing close to the edge of the bank that was in front. His pace was a careless and lingering one, and had none of that gracefulness and ease which distinguish a person with certain advantages of education from a clown. His gait was rustic and aukward. His form was ungainly and disproportioned. Shoulders broad and square, breast sunken, his head drooping, his body of uniform breadth, supported by long and lank legs, were the ingredients of his frame. His garb was not ill adapted to such a figure. A slouched hat, tarnished by the weather, a coat of thick grey cloth, cut and wrought, as it seemed, by a country tailor, blue worsted stockings, and shoes fastened by thongs, and deeply discoloured by dust, which brush had never disturbed, constituted his dress.     

       There was nothing remarkable in these appearances; they were frequently to be met with on the road, and in the harvest field. I cannot tell why I gazed upon them, on this occasion, with more than ordinary attention, unless it were that such figures were seldom seen by me, except on the road or field. This lawn was only traversed by men whose views were directed to the pleasures of the walk, or the grandeur of the scenery.     

       He passed slowly along, frequently pausing, as if to examine the prospect more deliberately, but never turning his eye towards the house, so as to allow me a view of his countenance. Presently, he entered a copse at a small distance, and disappeared. My eye followed him while he remained in sight. If his image remained for any duration in my fancy after his departure, it was because no other object occurred sufficient to expel it. 
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