Wieland; Or, The Transformation: An American Tale
countenance. The impression that it made was vivid and indelible. His cheeks were pallid and lank, his eyes sunken, his forehead overshadowed by coarse straggling hairs, his teeth large and irregular, though sound and brilliantly white, and his chin discoloured by a tetter. His skin was of coarse grain, and sallow hue. Every feature was wide of beauty, and the outline of his face reminded you of an inverted cone.     

       And yet his forehead, so far as shaggy locks would allow it to be seen, his eyes lustrously black, and possessing, in the midst of haggardness, a radiance inexpressibly serene and potent, and something in the rest of his features, which it would be in vain to describe, but which served to betoken a mind of the highest order, were essential ingredients in the portrait. This, in the effects which immediately flowed from it, I count among the most extraordinary incidents of my life. This face, seen for a moment, continued for hours to occupy my fancy, to the exclusion of almost every other image. I had purposed to spend the evening with my brother, but I could not resist the inclination of forming a sketch upon paper of this memorable visage. Whether my hand was aided by any peculiar inspiration, or I was deceived by my own fond conceptions, this portrait, though hastily executed, appeared unexceptionable to my own taste.     

       I placed it at all distances, and in all lights; my eyes were rivetted upon it. Half the night passed away in wakefulness and in contemplation of this picture. So flexible, and yet so stubborn, is the human mind. So obedient to impulses the most transient and brief, and yet so unalterably observant of the direction which is given to it! How little did I then foresee the termination of that chain, of which this may be regarded as the first link?     

       Next day arose in darkness and storm. Torrents of rain fell during the whole day, attended with incessant thunder, which reverberated in stunning echoes from the opposite declivity. The inclemency of the air would not allow me to walk-out. I had, indeed, no inclination to leave my apartment. I betook myself to the contemplation of this portrait, whose attractions time had rather enhanced than diminished. I laid aside my usual occupations, and seating myself at a window, consumed the day in alternately looking out upon the storm, and gazing at the picture which lay upon a table before me. You will, perhaps, deem this conduct somewhat      
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