A Discourse Concerning Ridicule and Irony in Writing (1729)
    Natural Religion

   , which is presupposed to Revelation, and is a Test by which Reveal’d Religion is to be tried, is a Bottom on which it must stand, and is a Rule to understand it by.”

     [13]

   Categorical in tone, the statement frustrated the Anglican clergy by its very slipperiness; its generalities left little opportunity for decisive rebuttal. It provided no definition of natural religion beyond the predication of a body of unnamed moral law which is rational and original, the archetype of what is valid in the world’s religions.

   His dismissal of revelation and his reduction of Christianity to what he called its “natural” and hence incontrovertible basis carried with it a corollary, that of man’s absolute right to religious enquiry and profession. Here he became specific, borrowing from Lockean empiricism his conditions of intellectual assent. “Evidence,” he said, “ought to be the sole ground of Assent, and Examination is the way to arrive at Evidence; and therefore rather than I wou’d have Examination, Arguing and Objecting laid aside, I wou’d chuse to say, That no Opinions whatever can be dangerous to a Man that impartially examines into the Truth of Things.”

     [14]

   The church leadership saw in this statement and others like it not an epistemological premise but a deliberate subterfuge, an insidious blind to vindicate his attacks upon an organized priesthood.

   We can recognize now that his opponents oversimplified his intention, that they blackened it to make his villainy at once definitive and vulnerable. At the same time we must admit that he often equated the ideas of repression and clerical authority, even as he coupled those of freedom and the guide of private conscience.

   The Anglican church was infuriated by these correlations, angered as much by their manner of expression as by their substance. For the faithful were frequently thrown off balance by a strategy of ironical indirection. Sometimes this took the form of omission or the presentation of an argument in so fragmentary or slanted a fashion that Collins’s “Enemies” could debate neither his implications nor his conclusions. At other times he used this artful circumlocution to create his favorite mask, that of the pious Christian devoted to scripture or of the moralist perplexed by the divisions among the orthodox clergy. Finally, his rhetoric was shaped by deistic predecessors who used sarcasm and satire to mock the gravity 
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