that is quite a matter of business, and depends more upon the bookseller's opinion of what may be thought attractive than any affinity it may possess to the work itself. Dedications are, thanks to the economy of fashion, out of date: great men have long since been laughed into good sense in that particular. A preface (if there be one) should partake something of the spirit of the work; for if it be not brief, lively, and humorous, it is ten to one but your reader falls asleep before he enters upon chapter the first, and when he wakes, fears to renew his application, lest he should be again caught napping. Long introductions are like lengthy prayers before meals to hungry men, they are mumbled over with unintelligible rapidity, or altogether omitted, for the more solid gratifications of the stomach, or the enjoyments of the mind. In what fantastic shape and countenance then shall an author appear to obtain general approbation? or in what costume is he most likely to insure success?

   If he assumes a fierce and haughty front, his readers are perhaps offended with his temerity, and the critics enraged at his assurance. If he affects a modest sneaking posture, and humbly implores their high mightinesses to grant him one poor sprig of laurel, he is treated slightingly, and despised, as a pitiful fellow who wants that essential ingredient in the composition of a man of talent and good breeding, ycleped by the moderns confidence. If he speaks of

   the excellence of his subject, he creates doubts both with his readers and reviewers, who will use their endeavours to convince him he has not a correct knowledge of his own abilities. But if, like a well bred man at court, he enters the drawing-room of literature in good taste, neither too mean nor too gaudy, too bold or too formal, makes his bow with the air and finish of a scholar and a gentleman, and passes on to his place, unheedful of remark (because unconscious of offence), he is sure to command respect, if he does not excite admiration.

   Accept then, reader, this colloquial chapter, as the author's apology for a preface, an imaginary short conference, or letter of introduction, which brings you acquainted with the eccentric writer of this volume; and as in all well regulated society a person is expected to give some account of himself before he is placed upon terms of intimacy with the family, you shall in the next page receive a brief sketch of the characteristics of the author.

   The early biography of a man of genius is seldom, if ever, accurately given to the public eye, unless, indeed, he is one of 

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