occasions, when scarce a sign or door plate in Eton escapes some pantomimic transformation.*

   The following jeu-d'esprits issued upon the interference of the authorities at the conclusion of the last Election. The "dance of thirty sovereigns" is an allusion to the fine imposed, which was given to the poor.

   As he appeared in the Montent Procession of May, 1823.

   Herbert Stockhore was originally a bricklayer, and now resides at a little house which he has built for himself, and called Mount Pleasant, in a lane leading from Windsor to the Meadows. He has a wife and daughter, honest, industrious people, who reside with him, and are by no means displeased at the visit of a stranger to their eccentric relative. Some idea of the old man's amusing qualifications may be conceived from the following description, to which I have added the account he gives of his heraldic bearings. It must be recollected that the Etonians encourage these whims in the poor old man, and never lose an opportunity of impressing Stockhore with a belief in the magnificent powers of his genius.—After we had heard him recite several of his unconnected extempore rhapsodies, we were to be indulged with the Montem ode; this the old man insisted should be spoken in his gala dress; nor could all the entreaties of his wife and daughter, joined to those of myself and friend (fearful of appearing obtrusive), dissuade old Herbert from his design. He appeared quite frantic with joy when the dame brought forth from an upper apartment these insignia of his laureateship; the careful manner in which they were folded up and kept clean gave us to understand that the good woman herself set some store by them. The wife and daughter now proceeded to robe the laureate bard: the first garment which was placed over his shoulders, and came below his waist, was a species of tunic made out of patches of bed-furniture, trimmed in the most fantastic manner with fragments of worsted fringe of all colors. Over this he wore an old military jacket, of a very ancient date in respect to costume, and trimmed like the robe with fringe of every variety. A pair of loose trowsers of the same materials as the tunic were also displayed; but the fashion of the poet's head-dress exceeded all the rest for whimsicality: round an old soldier's cap a sheet of pasteboard was bent to a spiral form, rising about fourteen inches, and covered with some pieces of chintz bed-furniture of a very rich pattern; in five separate circles, was disposed as many different colors of fringes; some worsted twisted, to resemble feathers, was suspended from the side; and the whole had the most 

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