Four, because you have just come in from the weather; Five; no, I forget the ones that come after that. But I remember that reason number seventeen is "because it canna do ye any harm." On the whole, reason seventeen is the best.

   Put in other words this means that the Scotch make use of whiskey with dignity and without shame: and they never call it alcohol.

   In England the case is different. Already the English are showing the first signs that indicate the possible approach of prohibition. Already all over England there are weird regulations about the closing hours of the public houses. They open and close according to the varying regulations of the municipality. In some places they open at six in the morning, close down for an hour from nine till ten, open then till noon, shut for ten minutes, and so on; in some places they are open in the morning and closed in the evening; in other places they are open in the evening and closed in the morning. The ancient idea was that a wayside public house was a place of sustenance and comfort, a human need that might be wanted any hour. It was in the same class with the life boat or the emergency ambulance. Under the old common law the innkeeper must supply meat and drink at any hour. If he was asleep the traveller might wake him. And in those days meat and drink were regarded in the same light. Note how great the change is. In modern life in England there is nothing that you dare wake up a man for except gasoline. The mere fact that you need a drink is no longer held to entitle you to break his rest.

   In London especially one feels the full force of the "closing" regulations. The bars open and shut at intervals like daisies blinking at the sun. And like the flowers at evening they close their petals with the darkness. In London they have already adopted the deadly phrases of the prohibitionist, such as "alcohol" and "liquor traffic" and so on: and already the "sale of spirits" stops absolutely at about eleven o'clock at night.

   This means that after theatre hours London is a "city of dreadful night." The people from the theatre scuttle to their homes. The lights are extinguished in the windows. The streets darken. Only a belated taxi still moves. At midnight the place is deserted. At 1 A.M., the lingering footfalls echo in the empty street. Here and there a restaurant in a fashionable street makes a poor pretence of keeping open for after theatre suppers. Odd people, the shivering wrecks of theatre parties, are huddled here and there. A gloomy waiter lays a sardine on the table. The guests charge their 

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