been sitting lay a boating cushion covered with a Union Jack, at the other a cushion covered with old Moorish embroidery. The chair I had vacated I discovered to be of old Spanish oak and stamped Cordova leather bearing traces of a coat-of-arms in gold. My hostess lounged in a low characterless seat amid a mass of heterogeneous cushions. There were many flowers in the room—some in Cloisonne vases, others in gimcrack vessels such as are bought at country fairs. On the mantelpiece and on tables were mingled precious ivories from Japan, trumpery chalets from the Tyrol, choice bits of Sevres and Venetian glass, bottles with ladders and little men inside them, vulgar china fowls sitting on eggs, and a thousand restless little objects screeching in dumb agony at one another.

   The more one looked the more confounded became confusion. Lengths of beautifully embroidered Chinese silk formed curtains for the doors and windows; but they were tied back with cords ending in horrible little plush monkeys in lieu of tassels. A Second Empire gilt mirror hung over the Louis XVI sofa, and was flanked on the one side by a villainous German print of "The Huntsman's Return" and on the other by a dainty water-colour. Myriads of photographs, some in frames, met the eye everywhere—on the grand piano, on the occasional tables, on the mantelpiece, stuck obliquely all round the Queen Anne mirror above it, on the walls. Many of them represented animals—bears and lions and pawing horses. Dale's photograph I noticed in a silver frame on the piano. There was not a book in the place. But in the corner of the room by a further window gleamed a large marble Venus of Milo, charmingly executed, who stood regarding the welter with eyes calm and unconcerned.

   I was aroused from the momentary shock caused by the revelation of this eccentric apartment by an unknown nauseous flavour in my mouth. I realised it was the cigarette to which I had helped myself from the beautifully chased silver casket I had taken from the mantelpiece. I eyed the thing and concluded it was made of the very cheapest tobacco, and was what the street urchin calls a "fag." I learned afterwards that I was right. She purchased them at the rate of six for a penny, and smoked them in enormous quantities. For politeness' sake I continued to puff at the unclean thing until I nearly made myself sick. Then, simulating absentmindedness, I threw it into the fire.

   Why, in the sacred name of Nicotine, does a luxurious lady like Lola Brandt smoke such unutterable garbage?

   On the other hand, the tea which she offered us a few 

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