AUTHOR OF "A BIOGRAPHICAL HISTORY OF THE FINE ARTS."

   NEW YORK:

   R. WORTHINGTON,

    Publisher

   ,

   770 Broadway.

   COPYRIGHT, S. SPOONER, 1853.

   Reëntered, G. B., 1880.

   Champollion, the famous explorer of Egyptian antiquities, holds the following language at the end of his fifteenth letter, dated at Thebes. "It is evident to me, as it must be to all who have thoroughly examined Egypt or have an accurate knowledge of the Egyptian monuments existing in Europe, that the arts commenced in Greece by a servile imitation of the arts in Egypt, much more advanced than is vulgarly believed, at the period when the Egyptian colonies came in contact with the savage inhabitants of Attica or the Peloponnesus. Without Egypt, Greece would probably never have become the classical land of the fine arts. Such is my entire belief on this great problem. I write these

   lines almost in the presence of bas-reliefs which the Egyptians executed, with the most elegant delicacy of workmanship, seventeen hundred years before the Christian era. What were the Greeks then doing?"

   The sculptures of the monument of El Asaffif are ascertained to be more than three thousand five hundred years old.

   Thebes, an ancient city and capital of Egypt, and the oldest city in the world, was situated in Upper Egypt, on both sides of the Nile, about two hundred and sixty miles south of Cairo. Thebes is "the city of a hundred gates," the theme and admiration of ancient poets and historians, and the wonder of travelers—"that venerable city," in the language of Dr. Pocoke, "the date of whose destruction is older than the foundation of other cities, and the extent of whose ruins, and the immensity of whose colossal fragments still offer so many astonishing objects, that one is riveted to the spot, unable to decide whither to direct the step, or fix the attention." These ruins extend about eight miles along the 

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