in the movies)—Teresa rolls her eyes up—all the little
children put their hands together and say grace (this
registers honesty). The thing is done. Let us turn back
to the history book and see what is to be put in next.

   "…The father of Christopher, Bartolomeo Colombo, was
a man of no especial talent of whom nothing is recorded."

   That's easy. First we announce him on the screen:

   BARTOLOMEO COLOMBO.. Mr. Henderson

   Then we stick him on the film on a corner of the room,
leaning up against the cardboard clock and looking at
the children. This attitude in the movies always indicates
a secondary character of no importance. His business is
to look at the others and to indicate forgetfulness of
self, incompetence, unimportance, vacuity, simplicity.
Note how this differs from the attitudes of important
characters. If a movie character—one of importance—is
plotting or scheming, he seats himself at a little round
table, drums on it with his fingers, and half closes one
eye. If he is being talked to, or having a letter or
document or telegram read to him, he stands "facing full"
and working his features up and down to indicate emotion
sweeping over them. If he is being "exposed" (which is
done by pointing fingers at him), he hunches up like a
snake in an angle of the room with both eyes half shut
and his mouth set as if he had just eaten a lemon. But
if he has none of these things to express and is only in
the scene as a background for the others, then he goes
over and leans in an easy attitude against the tall
cardboard clock.

   That then is the place for Bartolomeo Colombo. To the
clock with him.

   Now what comes next?

   "…The young Christopher developed at an early age a

 Prev. P 20/55 next