The Fitz-Boodle Papers
   "'Wander on roses and forget me not.'

   "AMALIA v. NACHTMUTZE,

   "GEB. v. SHALAFROCK,"

   with a flourish, and the picture mayhap of a rose. Let the reader imagine some hundreds of these interesting inscriptions, and he will have an idea of the book.

   Turning over the leaves I came presently on DOROTHEA'S hand. There it was, the little neat, pretty handwriting, the dear old up-and-down strokes that I had not looked at for many a long year,—the Mediterranean heath, which grew on the sunniest banks of Fitz-Boodle's existence, and here found, dear, dear little sprig! in rude Galwagian bog-lands.

   "Look at the other side of the page," says Lynch, rather sarcastically (for I don't care to confess that I kissed the name of "Dorothea v. Klingenspohr, born v. Speck" written under an extremely feeble passage of verse). "Look at the other side of the paper!"

   I did, and what do you think I saw?

   I saw the writing of five of the little Klingenspohrs, who have all sprung up since my time.

   "Ha! ha! haw!" screamed the impertinent young Irishman, and the story was all over Connemara and Joyce's Country in a day after.

   Some kind critic who peruses these writings will, doubtless, have the goodness to point out that the simile of the Mediterranean heath is applied to two personages in this chapter—to Ottilia and Dorothea, and say, Psha! the fellow is but a poor unimaginative creature not to be able to find a simile apiece at least for the girls; how much better would WE have done the business!

   Well, it is a very pretty simile. The girls were rivals, were beautiful, I loved them both,—which should have the sprig of heath? Mr. Cruikshank (who has taken to serious painting) is getting ready for the exhibition a fine piece, representing Fitz-Boodle on the Urrisbeg Mountain, county Galway, Ireland, with a sprig of heath in his hand, hesitating, like Paris, on which of the beauties he should bestow it. In the background is a certain animal between two bundles of hay; but that I take to represent the critic, puzzled to which of my young beauties to assign the choice.

   If Dorothea had been as rich as Miss Coutts, and had come to me the next day after the accident at the ball and said, "George, will you marry me?" it must not be supposed 
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