This text

    uses UTF-8 (Unicode) file encoding. If the apostrophes and quotation marks in this paragraph appear as garbage, you may have an incompatible browser or unavailable fonts. First, make sure that your browser’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change the default font.

    Plate numbers, including the combined “49 & 50”, are in the original. Headnotes were printed on each page; for the e-text, they are shown only when there was a change. Horizontal layout is as in the original, except that “Scene I” and “Scene II” of Plate 70 (the Accademia, Venice) were printed side by side.

     Contents

    (

     added by transcriber

    )

     Title Page Text

     LONDON.

   THE MAIL TRAIN TO DOVER. BROWN, JONES, AND ROBINSON STARTING ON THEIR TRAVELS.

     OSTEND.

   AFTER A ROUGH PASSAGE, BROWN, JONES, AND ROBINSON ARE HERE SEEN LANDED AT OSTEND, SURROUNDED, AND A LITTLE BEWILDERED, BY THE NATIVES, WHO OVERWHELM THEM WITH ATTENTIONS—SEIZE THE LUGGAGE, THRUST CARDS INTO THEIR HANDS, DRAG THEM IN SEVERAL DIRECTIONS AT ONCE, ALL TALKING TOGETHER (WHICH PREVENTED THEIR DIRECTIONS BEING SO CLEAR AS THEY OTHERWISE WOULD HAVE BEEN)—AND, FINALLY, ALL EXPECTING MONEY!

   THEY ARE AT THE DOUANE, WAITING FOR THE OFFICIALS TO SEARCH THE LUGGAGE.

   ROBINSON AND JONES (ALARMED BY EXPRESSION OF BROWN’S COUNTENANCE). —“WHAT’S THE MATTER NOW?” BROWN (IN A VOICE OF AGONY). —“I’VE LEFT THE KEY OF MY BAG AT HOME!”

     OSTEND TO COLOGNE.

   A SKETCH MADE AT MALINES.

  P 1/20 next