non-appreciation of his muse on the part of the world. The fault rather is in their own too sensitive souls; and it is a fact that there is scarcely a name in the roll of poets, whose fame is not harmed by divulging his exotic life. The rural labourer's fate—
is far better than to be paraded from the disobedience of youth, the rebellion of manhood, and the disappointment of age, divulged in the storied lives of the few hundred names admitted to be British poets; and the reading of whose works is, as a rule, a task of weariness. The career of Gay is a very fair one as an average of the poetic. He mainly avoided the enumerated ills—enumerated by Dr. Johnson—
The poetic element in Britain was very strong in the days of Gay. Pope, Swift, Prior, Addison were the petted servants of the Ministers. They were all far more successful in their careers than was Gay, who from his boyhood refused to labour for his bread. Very early he found a patroness in the Duchess of Monmouth, who had
with whom he enjoyed a sort of honorary post—secretary to the shadow of a princess; next he became a real secretary to the Earl of Clarendon, Ambassador at Hanover, as Prior had been to the Ambassador at Paris. We easily trace in Gay's career the unsatisfied overweening poetic soul, like a Charybdis, insatiable of adulation. In 1716, the Earl of Burlington cheered him at his seat in Devon; in 1717, he accompanied Mr. Pulteney to Aix; in 1718, Lord Harcourt soothed his spirits. Then he made money, which burnt holes in his pockets. He called his friends together, to ask how he should invest. His poetic friends Pope and Swift advised him to sink it in an annuity. But fate or fortune cast him in with Secretary Craggs and the South Sea scheme, and, from the possessor of 20,000
l.
, his capital collapsed to
nil
. In vain he had been bidden to sell and to realize. He had visions of wealth, and held on to be accidentally an honester man than if he had enriched himself by that delusive scheme; but he nearly sunk beneath his disappointment, and his health was endangered. Hope and the Muse restored him to more life and to more disappointment. He then wrote 'The Captive,' obtained an appointment to read it to the Princess of Wales, stumbled, like Cæsar, over a stool; the princess screamed, the omen was a true one—'The Captive' pined and died.
In 1726 he wrote these Fables, dedicating them to the
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