completely drained! I had created the diversion I wished; the tenants of the castle were disorganized and bewildered in trying to escape from the deluge, and the moat was accessible to my friends. Placing the poor King on a table to be out of the water, and tying up his head in my handkerchief to disguise him from Michael's guards, I drew my sword and plunged downstairs with the cataract in search of the miscreant Rupert. I reached the drawbridge, when I heard the sounds of tumult and was twice fired at,—once, as I have since learned, by my friends, under the impression that I was the escaping Rupert of Glasgow, and once by Black Michael's myrmidons, under the belief that I was the King. I was struck by the fact that these resemblances were confusing and unfortunate! At this moment, however, I caught sight of a kilted figure leaping from a lower window into the moat. Some instinct impelled me to follow it. It rapidly crossed the moat and plunged into the forest, with me in pursuit. I gained upon it; suddenly it turned, and I found myself again confronted with MYSELF—and apparently the King! But that very resemblance made me recognize the Scotch pretender, Rupert of Glasgow. Yet he would have been called a "braw laddie," and his handsome face showed a laughing good humor, even while he opposed me, claymore in hand.

   "Bide a wee, Maister Rupert Razorbill," he said lightly, lowering his sword, "before we slit ane anither's weasands. I'm no claimin' any descent frae kings, and I'm no acceptin' any auld wife's clavers against my women forbears, as ye are! I'm just paid gude honest siller by Black Michael for the using of ma face and figure—sic time as his Majesty is tae worse frae trink! And I'm commeesioned frae Michael to ask ye what price YE would take to join me in performing these duties—turn and turn aboot. Eh, laddie—but he would pay ye mair than that daft beggar, Spitz."

   Rage and disgust overpowered me. "And THIS is my answer," I said, rushing upon him.

   I have said earlier in these pages that I was a "strong" swordsman. In point of fact, I had carefully studied in the transpontine theatres that form of melodramatic mediaeval sword-play known as "two up and two down." To my disgust, however, this wretched Scotchman did not seem to understand it, but in a twinkling sent my sword flying over my head. Before I could recover it, he had mounted a horse ready saddled in the wood, and, shouting to me that he would take my "compleements" to the Princess, galloped away. Even then I would have pursued him afoot, but, hearing shouts behind me, I turned as Spitz and Fritz rode up.

   "Has the King 

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