condition I heard without hypocritical regret that a distant relative (a long-lost uncle) had conveniently left me his vast property. I cared only because it enabled me to withdraw from the profession. I disposed of my exhibition, or rather I let it go for a song. I simply handed over the Tattooed Man, the Artillery Twins, and the Double-headed Serpent to the first-comer, who happened to be a rural dean. Far in the deeps of the country, near the little town of Roding, on a lonely highway, where no man ever came, I took a 'pike. Here I dwelt like a hermit, refusing to give change to the rare passers-by in carts and gigs, and attended by a handy fellow, William Evans, stolid as the Sphynx, which word, for reasons that may or may not appear later in this narrative, I prefer to spell with a y , contrary to the best authorities and usual custom. It was midwinter, and midnight. My room lay in darkness. Heavy snow was falling. I went to the window and flattened my nose against the pane. 'What,' I asked myself, 'is most like a cat looking out of a window?' 'A cat looking in at a window,' answered a silvery voice from the darkness. Flattened against the self-same pane was another nose, a woman's. It was the lovely organ of mixed architecture belonging to Philippa! With a low cry of amazement, I broke the pane: it was no idle vision, no case of the 'horrors;' the cold, cold nose of my Philippa encountered my own. The ice was now broken; she swept into my chamber, lovelier than ever in her strange unearthly beauty, and a new sealskin coat. Then she seated herself with careless grace, tilting back her chair, and resting her feet on the chimney-piece. 'Dear Philippa,' I exclaimed politely, 'how is your husband?' 'Husband! I have none,' she hissed. 'Tell me, Basil, did you ever hate a fellow no end?' 'Yes,' I answered, truly; for, like Mr. Carlyle, I just detested most people, and him who had robbed me of Philippa most of all. 'Do you know what he did, Basil? He insisted on having a latch-key!