A Lecture On Heads As Delivered By Mr. Charles Lee Lewes, To Which Is Added, An Essay On Satire, With Forty-Seven Heads By Nesbit, From Designs By Thurston, 1812
that mankind should be so impressive to the power of satire, whose object is to describe their vices and follies, for the finger of public infamy to point at their deformities and delinquencies. Thus, where law cannot extend its awe and authority, satire wields the scourge of disgrace; and where religion cannot convince the atheist, attract the attention of the debauchee, or reform those who are subject to the power of habit and fashion, satire affords effectually her assistance. Satire reforms the drunkard, by exposing to the view of himself and the world the brutality of his actions and person when under the influence of intoxication. Satire reforms, likewise, the inordinate actions of those who are not awed by the belief of future reward and punishment, by exposing them to infamy during their present

   existence. And those who are subject to the dominion of depraved habits satire awakens to a practice of reformation, from the poignant sense of being the derision and contempt of all their connexions; for there is no incentive so powerful to abandon pernicious customs as the sense of present and future disgrace. We may, therefore, conclude, that nothing tends so much to correct vice and folly as this species of public censure. Having thus made some observations on the general utility and necessity of satire, we shall proceed to examine which of its species is the most likely to be effective.

   The most remarkable species of satire are, the narrative, dramatic, and picturesque; which have also their separate species peculiar to each. The narrative contains those that either reprove with a smile or a frown, by pourtraying the characteristics of an individual, or the general manners of a society, people, or nation; and are either described in verse or prose. The dramatic contains perfect resemblance, which is described by comedy; or caricature, which is described by farce. And the picturesque is what exercises the painter, engraver, and sculptor. In all these species the satirist may either divert by his humour, entertain by his wit, or torture by his severity. Each mode

   has its advocates. But we think that the mode should be adapted to the nature of the vice or folly which demands correction. If the vice be of an atrocious nature, it certainly requires that the satire be severe. If it be of a nature that arises more from a weakness of mind than depravity of feeling, we think it should be chastised by the lively and pointed sarcasms of wit; and, if the failing be merely a folly, it should only be the subject of humorous ridicule. With respect to determining which species of satire is the most preferable, 
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