The Faust-Legend and Goethe's 'Faust'
Rome, and visits the Pope, on whom he and Mephisto (both being invisible) play various practical jokes, blowing in his face, snatching his food away at meals and so on, till the Supreme Pontiff orders all the bells in Rome to be rung in order to exorcise the evil spirits by whom he is haunted. At Constantinople they befool the Sultan with magic tricks. Mephisto disguises himself in the official robes of the Pope and persuades the Sultan that he is Mahomet (another cut at the Pope, as Antichrist), while Faust installs himself in the Sultan's palace and enjoys life and finally floats up

   into the air and disappears. They then visit Egypt, India, Africa, and other places, including the Garden of Eden and Britain.

   Britain is described (rightly perhaps) as 'very damp—abounding in water and in metals....' 'Here also is to be found,' adds our chronicler, 'the stone of God, which Doctor Faustus brought thence.' What he means by the stone of God is, I suppose, the so-called Philosopher's stone—used for the manufacture of money out of any worthless substance. Faust might have found a good deal of this stone of God without leaving Germany and seems to have left a considerable amount of it behind in Britain.

   Part III of the Faust-book relates his 'feats of nigromancy at the courts of Potentates' and elsewhere, and his 'terrible end and departure.' At Innsbruck, in the presence of Charles V. and his court he summons up the shades of Alexander the Great and his consort, I suppose Roxana, the beautiful Bactrian princess. You may be interested to learn that Alexander the Great was a 'well-built stout little man with a thick yellow-red beard, red cheeks, and eyes like a basilisk,' and that the old chronicler, quite after the

   fashion of the modern purveyor for ladies' journals, informs us that Roxana wore a dress entirely of blue velvet trimmed with gold pieces and pearls.

   The following chapters strike one as hardly in the same key with the rest of the book. They relate feats which remind one rather of Baron Münchhausen. Faust swallows up a wagon of hay and a team of horses that get in his way. He makes stag-antlers grow on the head of a nobleman—saws off his own foot to give it as security for a loan borrowed from a Jew (reminding one of Shylock and his 'pound of flesh')—treats students to wine magically procured (as in the scene in Auerbach's cellar in Goethe's poem)—cuts off people's heads and sends them to the barber to be shaved, and then replaces them (a most useful invention)—makes flowers appear in vases (like modern spiritualists or Indian 
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