The Faust-Legend and Goethe's 'Faust'
or, as Milton has it:

   Almost the only change that I have made in my MS. has been the substitution or

   addition of an English translation in numerous places where I had formerly quoted the German original. On some occasions, when first writing the lectures, I very probably used the English version of

    Faust

   by Bayard Taylor, but I have not the book at present at hand and cannot feel quite certain whether any of the verse translations are not my own. The little book makes of course no pretence to be a contribution to critical or biographical literature. It is meant especially for those who wish to know something more about the story of Faust and about Goethe's play, and who, because their knowledge of German does not suffice or for other reasons, are unable to study the subject in any more satisfactory way.

   H. B. C.

    freiburg im breisgau

    August 1912

   All of us have probably experienced the fact that it is possible to have been familiar for a long time with some great work of imagination—some poem or picture—to have learnt to love it almost as if it were a living person, to imagine that we understand it and appreciate it fully, even to fancy that it has a special message, a deeper meaning, for us than for almost any one else, and then to come across somebody—some commentator perhaps—who informs us that our uncritical appreciation is quite worthless, mere shallow sentiment, and that until we can accurately analyze and formulate the Idea which the artist endeavoured to incorporate in his work, and classify the diverse manifestations of this Idea as subjective, objective, symbolical, allegorical, dramatical-psychological or psychological-dramatical,

   we are not entitled to hold, far less to express, any opinion on the subject.

   When I realised that I had undertaken to lecture on

    Faust

   , I thought it my duty to study Goethe's German commentators—some of them at least; for to study all would consume a lifetime. A few of the works of these commentators I already possessed—some, I am sorry to say, with their pages yet uncut. Others I procured, following the advice of German friends well versed in the matter. I set to work on what was presumably the best of these commentaries. As I 
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