Amory rose and stared at her helplessly, as though she were a new animal of whose presence on the earth he had not heretofore been aware. The door opened suddenly, and Myra’s mother appeared on the threshold, fumbling with her lorgnette. “Well,” she began, adjusting it benignantly, “the man at the desk told me you two children were up here—How do you do, Amory.” Amory watched Myra and waited for the crash—but none came. The pout faded, the high pink subsided, and Myra’s voice was placid as a summer lake when she answered her mother. “Oh, we started so late, mama, that I thought we might as well—” He heard from below the shrieks of laughter, and smelled the vapid odor of hot chocolate and tea-cakes as he silently followed mother and daughter down-stairs. The sound of the graphophone mingled with the voices of many girls humming the air, and a faint glow was born and spread over him: “Casey-Jones—mounted to the cab-un Casey-Jones—’th his orders in his hand. Casey-Jones—mounted to the cab-un Took his farewell journey to the prom-ised land.” SNAPSHOTS OF THE YOUNG EGOTIST Amory spent nearly two years in Minneapolis. The first winter he wore moccasins that were born yellow, but after many applications of oil and dirt assumed their mature color, a dirty, greenish brown; he wore a gray plaid mackinaw coat, and a red toboggan cap. His dog, Count Del Monte, ate the red cap, so his uncle gave him a gray one that pulled down over his face. The trouble with this one was that you breathed into it and your breath froze; one day the darn thing froze his cheek. He rubbed snow on his cheek, but it turned bluish-black just the same. The Count Del Monte ate a box of bluing once, but it didn’t hurt him. Later, however, he lost his mind and ran madly up the street, bumping into fences, rolling in gutters, and pursuing his eccentric course out of Amory’s life. Amory cried on his bed. “Poor little Count,” he cried. “Oh, poor little Count!” After several months he suspected Count of a fine piece of