The Mysterious Key and What It Opened
you, child, how?" 

 "She lives alone here, is seldom seen, and won't go anywhere or receive anyone. That's not natural in a pretty girl. Paul won't talk about her, and, though he's fond of her, he always looks grave and grim when I ask questions. That's provoking, and I won't hear it. Maud is engaged to Raleigh, you know; well, he confided to her that he and a friend had found out where Helen was, had gone to the next villa, which is empty, and under pretense of looking at it got a peep at the girl in her garden. I'm going to do the same." 

 "And what am I to do?" asked Hester, secretly relishing the prank, for she was dying with curiosity to behold Paul's cousin. 

 "You are to do the talking with the old woman, and give me a chance to look. Now say you will, and I'll behave myself like an angel in return." 

 Hester yielded, after a few discreet scruples, and when they reached Laburnum Lodge played her part so well that Lillian soon managed to stray away into one of the upper rooms which overlooked the neighboring garden. Helen was there, and with eager eyes the girl scrutinized her. She was very beautiful, in the classical style; as fair and finely molded as a statue, with magnificent dark hair and eyes, and possessed of that perfect grace which is as effective as beauty. She was alone, and when first seen was bending over a flower which she caressed and seemed to examine with great interest as she stood a long time motionless before it. Then she began to pace slowly around and around the little grass plot, her hands hanging loosely clasped before her, and her eyes fixed on vacancy as if absorbed in thought. But as the first effect of her beauty passed away, Lillian found something peculiar about her. It was not the somewhat foreign dress and ornaments she wore; it was in her face, her movements, and the tone of her voice, for as she walked she sang a low, monotonous song, as if unconsciously. Lillian watched her keenly, marking the aimless motions of the little hands, the apathy of the lovely face, and the mirthless accent of the voice; but most of all the vacant fixture of the great dark eyes. Around and around she went, with an elastic step and a mechanical regularity wearisome to witness. 

 What is the matter with her? thought Lillian anxiously, as this painful impression increased with every scrutiny of the unconscious girl. So abashed was she that Hester's call was unheard, and Hester was unseen as she came and stood beside her. Both looked a moment, and as they looked an old lady came from the house and led 
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