The Grey Brethren, and Other Fragments in Prose and Verse
Running

When the strain of a working day has left me weary, perhaps troubled and perplexed, I find my way to the river. I step into a boat and pull up stream until the exertion has refreshed me; and then I make fast to the old alder-stump where last year the reed-piper nested, and lie back in the stern and think.

The water laps against the keel as the boat rocks gently in the current; the river flows past, strong and quiet. There are side eddies, of course, and little disturbing whirlpools near the big stones, but they are all gathered into the broad sweep of the stream, carried down to the great catholic sea. And while I listen to the murmur of the water and watch its quiet strength the day’s wrinkles are smoothed out of my face; and at last the river bears me homeward rested and at peace.

There are long stretches of time for me when I must remain apart from the world of work, often unwilling, sometimes with a very sore heart. Then I turn my steps towards my friend and wander along the banks, a solitary not alone. In the quiet evening light I watch the stream ‘never hasting, never resting’: the grass that grows beside it is always green, the flowers are fresh; it makes long embracing curves—I could cross from point to point in a minute, but to follow takes five. The ways of the water are ways of healing; I have a companion who makes no mistakes, touches none of my tender spots.

Presently I reach the silent pool, where the stream takes a wide sweep. Here the fair white water-lilies lie on their broad green leaves and wait for their lover the moon; for then they open their silvery leaves and bloom in the soft light fairer far than beneath the hot rays of the sun. Then, too, the buds rise out of the water and the moon kisses them into bloom and fragrance. Near by are the little yellow water-lilies, set for beauty against a background of great blue-eyed forget-me-nots and tall feathery meadowsweet. The river still sweeps on its way, but the pool is undisturbed; it lies out of the current. They say it is very deep—no one knows quite how deep—and it has its hidden tragedy. I gaze down through the clear water, following the thick lily-stalks—a forest where solemn carp sail in and out and perch chase each other through the maze—and beyond them I cannot see the bottom, the secret of its stillness; but I may watch the clouds mirrored on its surface, and the evening glow lying at my feet.

I think of the fathomless depths of the peace of God, fair with flowers of hope; of still places wrought in man; of mirrors that reflect, 
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