Roland was staggered by the rapidity with which the transaction was carried through. The theater was his before he had time to realize that he had never meant to buy the thing at all. He had gone into the offices of Mr. Montague with the intention of making an offer for the lease for, say, six months; and that wizard, in the space of less than an hour, had not only induced him to sign mysterious documents which made him sole proprietor of the house, but had left him with the feeling that he had done an extremely acute stroke of business. Mr. Montague had dabbled in many professions in his time, from street peddling upward, but what he was really best at was hypnotism.     

       Altho he felt, after the spell of Mr. Montague's magnetism was withdrawn, rather like a nervous man who has been given a large baby to hold by a strange woman who has promptly vanished round the corner, Roland was to some extent consoled by the praise bestowed upon him by Miss Verepoint. She said it was much better to buy a theater than to rent it, because then you escaped the heavy rent. It was specious, but Roland had a dim feeling that there was a flaw somewhere in the reasoning; and it was from this point that a shadow may be said to have fallen upon the brightness of the venture.     

       He would have been even less self-congratulatory if he had known the Windsor Theater's reputation. Being a comparative stranger in the metropolis, he was unaware that its nickname in theatrical circles was       “The Mugs' Graveyard”—a title which had been bestowed upon it not without reason. Built originally by a slightly insane old gentleman, whose principal delusion was that the public was pining for a constant supply of the Higher Drama, and more especially those specimens of the Higher Drama which flowed practically without cessation from the restless pen of the insane old gentleman himself, the Windsor Theater had passed from hand to hand with the agility of a gold watch in a gathering of race-course thieves. The one anxiety of the unhappy man who found himself, by some accident, in possession of the Windsor Theater, was to pass it on to somebody else. The only really permanent tenant it ever had was the representative of the Official Receiver.     

       Various causes were assigned for the phenomenal ill-luck of the theater, but undoubtedly the vital objection to it as a Temple of Drama lay in the fact that nobody could ever find the place where 

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