The Isle of Unrest
Palais, where fashionable Bastia promenades itself—when it is too windy, as it almost always is, to walk on the Place St. Nicholas—where all the shops are, and where the modern European necessities of daily life are not to be bought for love or money.     

       There are, however, two excellent knife-shops in the Boulevard du Palais, where every description of stiletto may be purchased, where, indeed, the enterprising may buy a knife which will not only go shrewdly into a foe, but come right out on the other side—in front, that is to say, for no true Corsican is so foolish as to stab anywhere but in the back—and, protruding thus, will display some pleasing legend, such as “Vendetta,” or       “I serve my master,” or “Viva Corsica,” roughly engraved on the long blade. There is a macaroni warehouse. There are two of those mysterious Mediterranean provision warehouses, with some ancient dried sausages hanging in the window, and either doorpost flanked by a tub of sardines, highly, and yet, it would seem, insufficiently, cured. There is a tiny book-shop displaying a choice of religious pamphlets and a fly-blown copy of a treatise on viniculture. And finally, an ironmonger will sell you anything but a bath, while he thrives on a lively trade in percussion-caps and gunpowder.     

       Colonel Gilbert did not pause to look at these bewildering shop-windows, for the simple reason that he knew every article there displayed.     

       He was, it will be remembered, a leisurely Frenchman, than whom there are few human beings of a more easily aroused attention. Any small street incident sufficed to make him pause. He had the air of one waiting for a train, who knows that it will not come for hours yet. He strolled down the boulevard, smoking a cigarette, and presently turned to the right, emerging with head raised to meet the sea-breeze upon that deserted promenade, the Place St. Nicholas.     

       Here he paused, and stood with his head slightly inclined to one side—an attitude usually considered to be indicative of the artistic temperament, and admired the prospect. The “Place” was deserted, and in the middle the great statue of Napoleon stood staring blankly across the sea towards Elba. There is, whether the artist intended it or not, a look of stony amazement on this marble face as it gazes at the island of Elba lying pink and hazy a few miles across that rippled sea; for on this side of 
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