altogether hidden from it, somewhat to the right of the main street of the Kleinseite as you pass over the bridge. A lane, for it is little more, turning from the main street between the side walls of what were once two palaces, comes suddenly into a small square, and from a corner of this square there is an open stone archway leading into a court. In this court is the door, or doors, as I may say, of the house in which Balatka lived with his daughter Nina. Opposite to these two doors was the blind wall of another residence. Balatka's house occupied two sides of the court, and no other window, therefore, besides his own looked either upon it or upon him. The aspect of the place is such as to strike with wonder a stranger to Prague — that in the heart of so large a city there should be an abode so sequestered, so isolated, so desolate, and yet so close to the thickest throng of life. But there are others such, perhaps many others such, in Prague; and Nina Balatka, who had been born there, thought nothing of the quaintness of her abode. Immediately over the little square stood the palace of the Hradschin, the wide-spreading residence of the old kings of Bohemia, now the habitation of an ex-emperor of the House of Hapsburg, who must surely find the thousand chambers of the royal mansion all too wide a retreat for the use of his old age. So immediately did the imperial hill tower over the spot on which Balatka lived, that it would seem at night, when the moon was shining as it shines only at Prague, that the colonnades of the palace were the upper storeys of some enormous edifice, of which the broken merchant's small courtyard formed a lower portion. The long rows of windows would glimmer in the sheen of the night, and Nina would stand in the gloom of the archway counting them till they would seem to be uncountable, and wondering what might be the thoughts of those who abode there. But those who abode there were few in number, and their thoughts were hardly worthy of Nina's speculation. The windows of kings' palaces look out from many chambers. The windows of the Hradschin look out, as we are told, from a thousand. But the rooms within have seldom many tenants, nor the tenants, perhaps, many thoughts. Chamber after chamber, you shall pass through them by the score, and know by signs unconsciously recognised that there is not, and never has been, true habitation within them. Windows almost innumerable are there, that they may be seen from the outside — and such is the use of palaces. But Nina, as she would look, would people the rooms with throngs of bright inhabitants, and would think of the joys of happy girls who were loved by Christian youths, and who could dare to tell their friends of their love. But Nina Balatka was no coward, and she had 

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