task, or sewing, or drawing figures with a pencil on a slate, and never kindling once to originality, or showing a single gleam of the peculiarities of her nature. I ceased to watch her under such circumstances: she was not interesting. But the moment Graham’s knock sounded of an evening, a change occurred; she was instantly at the head of the staircase. Usually her welcome was a reprimand or a threat.

“You have not wiped your shoes properly on the mat. I shall tell your mamma.”

“Little busybody! Are you there?”

“Yes—and you can’t reach me: I am higher up than you“ (peeping between the rails of the banister; she could not look over them).

“Polly!”

“My dear boy!” (such was one of her terms for him, adopted in imitation of his mother.)

“I am fit to faint with fatigue,” declared Graham, leaning against the passage-wall in seeming exhaustion. “Dr. Digby“ (the headmaster) “has quite knocked me up with overwork. Just come down and help me to carry up my books.”

“Ah! you’re cunning!”

“Not at all, Polly—it is positive fact. I’m as weak as a rush. Come down.”

“Your eyes are quiet like the cat’s, but you’ll spring.”

“Spring? Nothing of the kind: it isn’t in me. Come down.”

“Perhaps I may—if you’ll promise not to touch—not to snatch me up, and not to whirl me round.”

“I? I couldn’t do it!” (sinking into a chair.)

“Then put the books down on the first step, and go three yards off.”

This being done, she descended warily, and not taking her eyes from the feeble Graham. Of course her approach always galvanized him to new and spasmodic life: the game of romps was sure to be exacted. Sometimes she would be angry; sometimes the matter was allowed to pass smoothly, and we could hear her say as she led him up-stairs: “Now, my dear boy, come and take your tea—I am sure you must want something.”

It was sufficiently comical to observe her as she sat beside Graham, while he took that meal. In his absence she was a 

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