Othello, the Moor of Venice
IAGO. Farewell; for I must leave you: It seems not meet nor wholesome to my place To be produc’d, as if I stay I shall, Against the Moor. For I do know the state, However this may gall him with some check, Cannot with safety cast him, for he’s embark’d With such loud reason to the Cyprus wars, Which even now stand in act, that, for their souls, Another of his fathom they have none To lead their business. In which regard, Though I do hate him as I do hell pains, Yet, for necessity of present life, I must show out a flag and sign of love, Which is indeed but sign. That you shall surely find him, Lead to the Sagittary the raised search, And there will I be with him. So, farewell. 

 [Exit.]

 Enter Brabantio with Servants and torches.

Brabantio

BRABANTIO. It is too true an evil. Gone she is, And what’s to come of my despised time, Is naught but bitterness. Now Roderigo, Where didst thou see her? (O unhappy girl!) With the Moor, say’st thou? (Who would be a father!) How didst thou know ’twas she? (O, she deceives me Past thought.) What said she to you? Get more tapers, Raise all my kindred. Are they married, think you? 

RODERIGO. Truly I think they are. 

BRABANTIO. O heaven! How got she out? O treason of the blood! Fathers, from hence trust not your daughters’ minds By what you see them act. Is there not charms By which the property of youth and maidhood May be abused? Have you not read, Roderigo, Of some such thing? 

RODERIGO. Yes, sir, I have indeed. 

BRABANTIO. Call up my brother. O, would you had had her! Some one way, some another. Do you know Where we may apprehend her and the Moor? 

RODERIGO. I think I can discover him, if you please To get good guard, and go along with me. 

BRABANTIO. Pray you lead on. At every house I’ll call, I may command at most. Get weapons, ho! And raise some special officers of night. On, good Roderigo. I will deserve your pains. 

 [Exeunt.]

 SCENE II. Venice. Another street.

 Enter Othello, Iago and Attendants with torches.

Othello, Iago


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