the red and blue wheels that the Bayswater ones have got between them, and that the St. John's Wood and two Western Railway ones are trying to get into trouble by crossing. What a row! how the ruffians whip, and stamp, and storm, and all but pick each other's horses' teeth with their poles, how the cads gesticulate, and the passengers imprecate! now the bonnets are out of the windows, and the row increases. Six coachmen cutting and storming, six cads sawing the air, sixteen ladies in flowers screaming, six-and-twenty sturdy passengers swearing they will 'fine them all,' and Mr. Sponge is the only cool person in the scene. He doesn't rush into the throng and 'jump in,' for fear the 'bus should extricate itself and drive on without him; he doesn't make confusion worse confounded by intimating his behest; he doesn't soil his bright boots by stepping off the kerb-stone; but, quietly waiting the evaporation of the steam, and the disentanglement of the vehicles, by the smallest possible sign in the world, given at the opportune moment, and a steady adhesion to the flags, the 'bus is obliged either to 'come to,' or lose the fare, and he steps quietly in, and squeezes along to the far end, as though intent on going the whole hog of the journey.

Away they rumble up the Edgeware Road; the gradual emergence from the brick and mortar of London being marked as well by the telling out of passengers as by the increasing distances between the houses. First, it is all close huddle with both. Austere iron railings guard the subterranean kitchen areas, and austere looks indicate a desire on the part of the passengers to guard their own pockets; gradually little gardens usurp the places of the cramped areas, and, with their humanizing appearance, softer looks assume the place of frowning anti swell-mob ones.

Presently a glimpse of green country or of distant hills may be caught between the wider spaces of the houses, and frequent settings down increase the space between the passengers; gradually conservatories appear and conversation strikes up; then come the exclusiveness of villas, some detached and others running out at last into real pure green fields studded with trees and picturesque pot-houses, before one of which latter a sudden wheel round and a jerk announces the journey done. The last passenger (if there is one) is then unceremoniously turned loose upon the country.

Our readers will have the kindness to suppose our hero, Mr. Sponge, shot out of an omnibus at the sign of the Cat and Compasses, in the full rurality of grass country, sprinkled with fallows and turnip-fields. We should state that this unwonted journey 

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