The Black Cross
and crossed, his beaked nose, his grey upturned mustache, showed distinctly in the moonlight. The face was known to every Russian, young and old, rich and poor—the Grand-Duke Stepan. 

 The youth made a low obeisance; then he tossed the hair away from his brows and laughed: "True, your highness," he said with mock humility, "I should have said—'until we both get there,' of course. Your pardon, sire." 

 The Duke leaned forward: "Stop—!" he exclaimed, "Your face—certainly somewhere I have seen it—Wait!" 

 The driver of the troïka reined in the panting horses three abreast. They pawed the snow, still prancing a little and trembling, their bits flecked with foam. The youth saluted with one hand carelessly, while with the other he grasped the dark, oblong object that was not a bomb. 

 "Au revoir, your Grace," he cried, "You have seen me before and you will see me again, to-night, if this arm of mine recovers—"  He laughed:—"I am Velasco." 

 As he spoke the horses leaped forward and the troïka, darting across the moonlight of the Square, disappeared into the shadows behind the Mariínski. 

 The Duke gazed after it petrified: "Velasco!" he said, "And I all but twisted his wrist!—Ye gods! 

 "Go on, Pierre, go on!" 

 

 The Theatre was superbly lighted, crowded from the pit to the gallery, from the orchestra chairs to the Bel-Etage with the cream of St. Petersburg aristocracy. 

 It was like a vast garden of colour. 

 The brilliant uniforms of the officers mingled with the more delicate hues of ecru and rose, sky-blue and palest heliotrope of the loggias. Fans waved here and there over the house, fluttering, flashing like myriads of butterfly wings. The stage was filled with the black and white of the orchestra and the musicians sat waiting, the conductor gnawing his long mustache in an agony of doubt and bewilderment. 

 Gradually a hush stole over the House. The fans waved less regularly; the uniforms and the more delicate hues whispered together, glancing first at a box on the first tier, which was still empty, and then at the stage door and back again. 
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