The Black Cross


 Where was the Grand-Duke Stepan, and where was the star, the idol, the young god, who was to charm their hearts with his four strings?—for whom they had paid fifteen roubles, twenty—twenty-five until there wasn't a seat left, not even standing room; only the crimson-curtained Imperial Loggia in the centre, solitary, significant. 

 The time passed; the minutes dragged slowly. 

 Suddenly the curtains moved. An usher appeared and placed a chair. Another moment of silence; then a tall, grey-haired, military figure stepped to the front of the loggia and bowed to right and to left; his eyes, small and black and crossed, glancing haughtily over the throng. "At last!"—The applause was mechanical, in strict accordance with etiquette, but there was a relieved note in it and the thousands of straining eyes leaped back to the stage, eager and watchful. 

 All at once a small door in the wings opened slightly and a slim boyish figure strode across the boards, a mane of dark hair falling over his brows. 

 "Velasco!"  A roar went up from the House—"Velasco! Ah—h—viva—Velas—co!" 

 Instantly, with a tap of his baton, the conductor motioned for silence, and then, with the first downward beat, the orchestra began the introduction to the concerto. 

 The young Violinist stood languidly, his Stradivarius tucked under his arm, the bow held in a slim and graceful hand. His dark eyes roamed over the brilliant spectacle before him, from tier to tier, from top to bottom. He had seen it all before many times; but never so beautiful, so vast an audience, such a glory of colour, such closeness of attention. Raising his violin, with a strange, dreamy swaying of his young body, Velasco drew the bow over the quivering strings in the first solo passage of the Vieuxtemps. 

 The tones rose and fell above the volume of the orchestra. The depth of them, the sweetness seemed to penetrate to the uttermost corner. A curious tenseness came over the listening audience. Not a soul stirred. The Grand-Duke sat motionless with his head in his hands. The strings vibrated to each individual heart-beat; the bow sighed over them, and with the last note a murmur and then a roar went up. 

 Velasco stirred slightly, dropped his bow and bowed, without raising his eyes. Then, hardly waiting for the applause to subside, the second movement began, slow and passionate.  
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