Clarimonde
prie-dieu stood at the foot of the bed; a bluish flame flickering in a bronze patern filled all the room with a wan, deceptive light, here and there bringing out in the darkness at intervals some projection of furniture or cornice. In a chiselled urn upon the table there was a faded white rose, whose leaves—excepting one that still held—had all fallen, like odorous tears, to the foot of the vase. A broken black mask, a fan, and disguises of every variety, which were lying on the armchairs, bore witness that death had entered suddenly and unannounced into that sumptuous dwelling. Without daring to cast my eyes upon the bed, I knelt       down and commenced to repeat the Psalms for the Dead, with exceeding fervour, thanking God that He had placed the tomb between me and the memory of this woman, so that I might thereafter be able to utter her name in my prayers as a name for ever sanctified by death. But my fervour gradually weakened, and I fell insensibly into a reverie. That chamber bore no semblance to a chamber of death. In lieu of the fetid and cadaverous odours which I had been accustomed to breathe during such funereal vigils, a languorous vapour of Oriental perfume—I know not what amorous odour of woman—softly floated through the tepid air. That pale light seemed rather a twilight gloom contrived for voluptuous pleasure, than a substitute for the yellow-flickering watch-tapers which shine by the side of corpses. I thought upon the strange destiny which enabled me to meet Clarimonde again at the very moment when she was lost to me for ever, and a sigh of regretful anguish escaped from my breast. Then it seemed to me that some one behind me had also sighed, and I turned round to look. It was only an echo. But in that moment my eyes fell upon the bed of death which they had till then avoided. The red damask curtains, decorated with large flowers worked in embroidery and looped up with gold bullion, permitted me to behold the fair dead, lying at full length, with hands joined upon her bosom. She was covered with a linen wrapping of dazzling whiteness, which formed a strong contrast with the gloomy purple of the hangings, and was of so fine a texture that it concealed nothing of her body’s charming form, and allowed the eye to follow those beautiful outlines—undulating like the neck of a swan—which even death had not robbed of their supple grace. She seemed an alabaster statue executed by some skilful sculptor to place upon the tomb of a queen, or rather, perhaps, like a slumbering maiden over whom the silent snow had woven a spotless 
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