our coasts, to ruin the Republic's credit and bring good patriots to destitution. Élodie was in terror of accepting bad paper, and still more in terror of passing it and being treated as an accomplice of Pitt, though she had a firm belief in her own good luck and felt pretty sure of coming off best in any emergency.

Évariste looked at her with the sombre gaze that speaks more movingly of love than the most smiling face. She returned his gaze with a mocking curl of the lips and an arch gleam in the dark eyes,—an expression she wore because she knew he loved her and liked to know it and because such a look provokes a lover, makes him complain of ill-usage, brings him to the speaking point, if he has not spoken already, which was Évariste's case.

Before depositing the assignats in the strong-box, she produced from her work-basket a white scarf, which she had begun to embroider, and set to work on it. At once industrious and a coquette, she knew instinctively how to ply her needle so as to fascinate an admirer and make a pretty thing for her wearing at one and the same time; she had quite different ways of working according to the person watching her,—a nonchalant way for those she would lull into a gentle languor, a capricious way for those she was fain to see in a more or less despairing mood. For Évariste, she bent with an air of painstaking absorption over her scarf, for she wanted to stir a sentiment of serious affection in his heart.

Élodie was neither very young nor very pretty. She might have been deemed plain at the first glance. She was a brunette, with an olive complexion; under the broad white kerchief knotted carelessly about her head, from which the dark lustrous ringlets escaped, her eyes of fire gleamed as if they would burn their orbits. Her round face with its prominent cheek-bones, laughing lips and rather broad nose, that gave it a wild-wood, voluptuous expression, reminded the painter of the faun of the Borghese, a cast of which he had seen and been struck with admiration for its freakish charm. A faint down of moustache accentuated the curve of the full lips. A bosom that seemed big with love was confined by a crossed kerchief in the fashion of the year. Her supple waist, her active limbs, her whole vigorous body expressed in every movement a wild, delicious freedom. Every glance, every breath, every quiver of the warm flesh called for love and promised passion. There, behind the tradesman's counter, she seemed rather a dancing nymph, a bacchante of the opera, stripped of her lynx skin and thyrsus, imprisoned, and travestied by a magician's spell under the modest trappings of a 

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