housewife by Chardin.

"My father is not at home," she told the painter; "wait a little, he will not be long."

In the small brown hands the needle travelled swiftly over the fine lawn.

"Is the pattern to your taste, Monsieur Gamelin?"

It was not in Gamelin's nature to pretend. And love, exaggerating his confidence, encouraged him to speak quite frankly.

"You embroider cleverly, citoyenne; but, if I am to say what I think, the pattern you have traced is not simple enough or bold enough, and smacks of the affected taste that in France governed too long the ornamentation of dress and furniture and woodwork; all those rosettes and wreaths recall the pretty, finikin style that was in favour under the tyrant. There is a new birth of taste. Alas! we have much leeway to make up. In the days of the infamous Louis XV the art of decoration had something Chinese about it. They made pot-bellied cabinets with drawer handles grotesque in their contortions, good for nothing but to be thrown on the fire to warm good patriots. Simplicity alone is beautiful. We must hark back to the antique. David designs beds and chairs from the Etruscan vases and the wall-paintings of Herculaneum."

"Yes, I have seen those beds and chairs," said Élodie, "they are lovely. Soon we shall want no other sort. I am like you, I adore the antique."

"Well, then, citoyenne," returned Évariste, "if you had limited your pattern to a Greek border, with ivy leaves, serpents or crossed arrows, it would have been worthy of a Spartan maiden ... and of you. But you can still keep this design by simplifying it, reducing it to the plain lines of beauty."

She asked her preceptor what should be picked out.

He bent over the work, and the girl's ringlets swept lightly over his cheek. Their hands met and their breaths mingled. For an instant Évariste tasted an ecstatic bliss, but to feel Élodie's lips so close to his own filled him with fear, and dreading to alarm her modesty, he drew back quickly.

The citoyenne Blaise was in love with Évariste Gamelin; she thought his great ardent eyes superb no less than the fine oval of his pale face, and his abundant black locks, parted above the brow and falling in showers about his shoulders; his gravity of 

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