watched the oddity of a Christian maiden, in the arena, mildly, caressingly, martyred. It was the nosing and fumbling not of lions and tigers but of domestic animals let loose as for the joke. Even the joke made Mrs. Stringham uneasy, and her mute communion with Densher, to which we have alluded, was more and more determined by it. He wondered afterwards if Kate had made this out; though it was not indeed till much later on that he found himself, in thought, dividing the things she might have been conscious of from the things she must have missed. If she actually missed, at any rate, Mrs. Stringham's discomfort, that but showed how her own idea held her. Her own idea was, by insisting on the fact of the girl's prominence as a feature of the season's end, to keep Densher in relation, for the rest of them, both to present and to past. "It's everything that has happened since that makes you naturally a little shy about her. You don't know what has happened since, but we do; we've seen it and followed it; we've a little been of it." The great thing for him, at this, as Kate gave it, was in fact quite irresistibly that the case was a real one—the kind of thing that, when one's patience was shorter than one's curiosity, one had vaguely taken for possible in London, but in which one had never been even to this small extent concerned. The little American's sudden social adventure, her happy and, no doubt, harmless flourish, had probably been favoured by several accidents, but it had been favoured above all by the simple spring-board of the scene, by one of those common caprices of the numberless foolish flock, gregarious movements as inscrutable as ocean-currents. The huddled herd had drifted to her blindly—it might as blindly have drifted away. There had been of course a signal, but the great reason was probably the absence at the moment of a larger lion. The bigger beast would come and the smaller would then incontinently vanish. It was at all events characteristic, and what was of the essence of it was grist to his scribbling mill, matter for his journalising hand. That hand already, in intention, played over it, the "motive," as a sign of the season, a feature of the time, of the purely expeditious and rough-and-tumble nature of the social boom. The boom as in itself required—that would be the note; the subject of the process a comparatively minor question. Anything was boomable enough when nothing else was more so: the author of the "rotten" book, the beauty who was no beauty, the heiress who was only that, the stranger who was for the most part saved from being inconveniently strange but by being inconveniently familiar, the American whose Americanism had been long desperately discounted, the creature in fine as to whom spangles or spots of any 

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