sufficiently marked and exhibited sort could be loudly enough predicated. 

 So he judged at least, within his limits, and the idea that what he had thus caught in the fact was the trick of fashion and the tone of society went so far as to make him take up again his sense of independence. He had supposed himself civilised; but if this was civilisation—! One could smoke one's pipe outside when twaddle was within. He had rather avoided, as we have remarked, Kate's eyes, but there came a moment when he would fairly have liked to put it, across the table, to her: "I say, light of my life, is this the great world?" There came another, it must be added—and doubtless as a result of something that, over the cloth, did hang between them—when she struck him as having quite answered: "Dear no—for what do you take me? Not the least little bit: only a poor silly, though quite harmless, imitation." What she might have passed for saying, however, was practically merged in what she did say, for she came overtly to his aid, very much as if guessing some of his thoughts. She enunciated, to relieve his bewilderment, the obvious truth that you couldn't leave London for three months at that time of the year and come back to find your friends just where they were. As they had of course been jigging away they might well be so red in the face that you wouldn't know them. She reconciled in fine his disclaimer about Milly with that honour of having discovered her which it was vain for him modestly to shirk. He had unearthed her, but it was they, all of them together, who had developed her. She was always a charmer, one of the greatest ever seen, but she wasn't the person he had "backed." 

 Densher was to feel sure afterwards that Kate had had in these pleasantries no conscious, above all no insolent purpose of making light of poor Susan Shepherd's property in their young friend—which property, by such remarks, was very much pushed to the wall; but he was also to know that Mrs. Stringham had secretly resented them, Mrs. Stringham holding the opinion, of which he was ultimately to have a glimpse, that all the Kate Croys in Christendom were but dust for the feet of her Milly. That, it was true, would be what she must reveal only when driven to her last entrenchments and well cornered in her passion—the rare passion of friendship, the sole passion of her little life save the one other, more imperturbably cerebral, that she entertained for the art of Guy de Maupassant. She slipped in the observation that her Milly was incapable of change, was just exactly, on the contrary, the same Milly; but this made little difference in the drift of Kate's contention. She was perfectly kind to 

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