letters to Madame Cheron and to the old housekeeper, informing them of the sad event, that had taken place, and of her own situation. From her aunt she received an answer, abounding more in common-place condolement, than in traits of real sorrow, which assured her, that a servant should be sent to conduct her to La Vallée, for that her own time was so much occupied by company, that she had no leisure to undertake so long a journey. However Emily might prefer La Vallée to Thoulouse, she could not be insensible to the indecorous and unkind conduct of her aunt, in suffering her to return thither, where she had no longer a relation to console and protect her; a conduct, which was the more culpable, since St. Aubert had appointed Madame Cheron the guardian of his orphan daughter. Madame Cheron’s servant made the attendance of the good La Voisin unnecessary; and Emily, who felt sensibly her obligations to him, for all his kind attention to her late father, as well as to herself, was glad to spare him a long, and what, at his time of life, must have been a troublesome journey. During her stay at the convent, the peace and sanctity that reigned within, the tranquil beauty of the scenery without, and the delicate attentions of the abbess and the nuns, were circumstances so soothing to her mind, that they almost tempted her to leave a world, where she had lost her dearest friends, and devote herself to the cloister, in a spot, rendered sacred to her by containing the tomb of St. Aubert. The pensive enthusiasm, too, so natural to her temper, had spread a beautiful illusion over the sanctified retirement of a nun, that almost hid from her view the selfishness of its security. But the touches, which a melancholy fancy, slightly tinctured with superstition, gave to the monastic scene, began to fade, as her spirits revived, and brought once more to her heart an image, which had only transiently been banished thence. By this she was silently awakened to hope and comfort and sweet affections; visions of happiness gleamed faintly at a distance, and, though she knew them to be illusions, she could not resolve to shut them out for ever. It was the remembrance of Valancourt, of his taste, his genius, and of the countenance which glowed with both, that, perhaps, alone determined her to return to the world. The grandeur and sublimity of the scenes, amidst which they had first met, had fascinated her fancy, and had imperceptibly contributed to render Valancourt more interesting by seeming to communicate to him somewhat of their own character. The esteem, too, which St. Aubert had repeatedly expressed for him, sanctioned this kindness; but, though his countenance and