Mrs. Bindle: Some Incidents from the Domestic Life of the Bindles
coming, at least the excuse she made to herself, was that of chaperoning her daughter, a near-sighted, shapeless girl, with no chest and a muddy complexion, who never had and never would require such an attention.

The others were just neuter, except Mr. Thimbell, whose acute nervousness and length of limb rendered him a nuisance.

Mrs. Bindle was conscious that she was looking her best in a dark blue alpaca dress, with a cream-coloured lace yoke, which modesty had prompted her to have[Pg 71] lined with the material of the dress. To her, the display of any portion of her person above the instep, or below the feminine equivalent of the "Adam's apple," was a tribute to the Mammon of Unrighteousness, and her dressmaker was instructed accordingly.

[Pg 71]

She moved about the room, trying to make everyone feel at home, and succeeding only in emphasising the fact that they were all out.

Everybody was anxious to get down to the serious business of the evening; still the social amenities had to be observed. There must be a preliminary period devoted to conversation.

After a quarter-of-an-hour's endeavour to exchange the ideas which none of them possessed, Mrs. Bindle moved over to Mr. Hearty and whispered something, at the same time glancing across at the harmonium. There was an immediate look of interest and expectancy on faces which, a moment before, had been blank and apathetic.

Mr. Goslett, a little man with high cheekbones and a criminal taste in neckwear, cleared his throat; Mr. Hearty surreptitiously slipped into his mouth an acid drop, which he had just taken from his waistcoat pocket; Mr. Dykes, a long, thin man, who in his youth had been known to his contemporaries as "Razor," drew his handkerchief with a flourish, and tested Mrs. Bindle's walls as if he were a priest before Jericho.

Some difficulty arose as to who should play Mr. Hearty's beloved instrument. Mrs. Stitchley made it clear that she expected her daughter, Mabel, to be[Pg 72] asked. Mrs. Bindle, however, decided that Mrs. Snarch, a colourless woman who sang contralto (her own contralto) and sniffed when she was not singing contralto, should preside; her influence with her fellow-members of the choir was likely to be greater. Thus in the first ten minutes Mrs. Bindle scored two implacable enemies and one dubious friend.

[Pg 72]


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